Arts & Culture

The Squamish Lil'wat Cultural Centre is a three-story, 30,400-square foot award-winning cultural centre designed to blend the traditional Squamish Longhouse with the Lil'wat Istken. Cultural Ambassadors share their knowledge and stories with guests, on a guided tour, augmenting the information shared throughout the centre's curated collection of artifacts and contemporary pieces. Traditional drum songs are shared at the top of each hour. The facility is designed to evoke a traditional Squamish longhouse and a Lil'wat Istken (pit house) and is surrounded by dramatic mountain scenery. This thriving cultural centre shares meaningful experiences, educating all, and lifts their two distinct cultures. We occasionally close early for private events, for up-to-date hours slcc.ca/visit

VNHS opened Skwachàys Lodge, the Urban Indigenous Fair-Trade Gallery, and the Artists in Residence Program in June of 2012. The former Pender Hotel was transformed from a three-and-a-half-story derelict SRO hotel to a unique Indigenous social enterprise that combines a boutique hotel with a street-level art gallery, that supports on-site housing and studio space for 24 Indigenous artists. VNHS identified the vulnerability of many urban Indigenous artists artists in need of housing, artists who for various reasons are not able to properly represent and market themselves or their work. Often these artists are commercially exploited through a long established street or underground market that takes advantage of their vulnerability. They try to live off their work by selling on the street or in the bars or through the commercial dealer network that purchases original, gallery quality art for, at times, only five or ten cents on the dollar. By creating a live/work supportive complex with a built-in gallery and community production space, VNHS took a lead role in addressing the social and economic inequities that Indigenous artists can face. The Artists in Residence Program is a unique and life-changing housing program for practicing Indigenous artists. The program includes very affordable housing in clean, unfurnished bachelor suites, 24/7 access to shared artist workshops, and participation in programming opportunities for personal and professional development that help artists develop their craft and move into the next phase of their careers. A 3-year residency in the program is dependent on successful program participation and the achievement of self-defined career goals. Emerging, mid-career, and senior artists are welcome to apply. To date we have had over 110 Indigenous artists complete the program. The Lodge, the Urban Indigenous Fair-Trade Gallery and production space are operated as a self-sustaining social enterprise. Artists are paid a fair price for their work. The model follows the established practices found in the art world. Generally an artist receives between 30%-60% of the retail price depending on the artists reputation and the cost that is underwritten by the gallery (framing, marketing and promotional expenses.) In short, when a guest spends their overnight travel dollars at the Skwachàys Lodge there is a social impact people are housed. When a guest, a member of the community or a company purchases authentic Indigenous art at the Fair Trade Gallery, there is a social impact a simple purchase fights cultural misappropriation and ensures that Indigenous artists are paid fairly for their work. Cultural tourism is one of the fastest growing segments of the tourism sector and there is absolutely a place for our urban Indigenous artists to participate in this industry as a means of reclaiming their lives and independence.

Eagle Aerie Gallery is Roy Henry Vickers' artist-owned gallery located in Tofino, British Columbia. This stunning traditional Northwest Coast longhouse with a carved and painted cedar plank exterior and doors of beaten copper, is a recognizable Tofino landmark. Inside discover Roy's artwork of paintings, original prints, calendars, art cards, and reproductions hanging on hand adzed cedar walls among totem poles and carvings. As you enter the large main hall, you'll notice the soft lighting and restful music that creates an atmosphere of harmony and peace. The gallery is open free to the public seven days a week throughout the year. Built in 1986 with the help of Roy's family and legendary carver Henry Nolla, this gallery welcomes more than 500,000 visitors a year from all around the world. Please check the events calendar page to see when Roy is scheduled to be storytelling at Eagle Aerie Gallery - this is a not to be missed attraction! Guests gather around the centre pit in the main hall to listen to stories of Roy's life and times as well as inspiration of his work. Afterwards Roy is available to meet guests and autograph his reproductions.

U'mista Cultural Centre is one of the longest-operating and most successful First Nations cultural facilities in BC, founded in 1980 as a ground breaking project to house potlatch artifacts which had been seized by government during an earlier period of cultural repression. The return of the potlatch artifacts not only provided U'mista's name ('the return of something important'), and sparked a general trend toward repatriation of First Nations and cultural artifacts, it caused the creation of a physical facility and human resources infrastructure which have been successfully operated for over two decades.U'mista now operates a modern museum and cultural education facility in Alert Bay. Their operations include the museum, an extensive art gallery and gift shop, group tours, and presentations by dance troupes.